11111

COURSE INTRODUCTION AND APPLICATION INFORMATION


media.comm.ieu.edu.tr

Course Name
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
Fall/Spring
Prerequisites
None
Course Language
Course Type
Elective
Course Level
-
Mode of Delivery -
Teaching Methods and Techniques of the Course
Course Coordinator -
Course Lecturer(s) -
Assistant(s) -
Course Objectives
Learning Outcomes The students who succeeded in this course;
  • understand and apply principles and techniques of radio programme production from original ideas to advanced and complex final products.
  • produce high quality recorded radio drama programming
  • produce high quality recorded documentary programming
  • contribute to a production team to produce a weekly dramatic production
  • discuss and critique a variety of radio and audio genres
  • be in a position to work at a professional level in a variety of capacities in a radio and sound studio environment
Course Description

 



Course Category

Core Courses
Major Area Courses
Supportive Courses
X
Media and Managment Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Required Materials
1 Introduction, discuss radio soap operas.
2 Types of microphones. Select story, select roles. Plan for 10 week run of soap. S. Alten (1986), Audio in Media, pp. 102150.
3 From plan to script, music, sound effects, jingles and promos Crook p. 3 11
4 Start recording radio soap opera. This continues every week until week 14. %30 Crook p. 12 15
5 Documentary review. McLeish (2005), Radio Production, pp.264275. Biewen p.
6 Planning documentaries, preproduction S. Alten (1986), Audio in Media, pp.264290. Biewen p.
7 Remotes McLeish (2005), Radio Production, pp.204212
8 Present midterm projects and dossiers (radio documentary) and critique (%30)
9 Miking speech. S. Alten (1986), Audio in Media, pp. 292308. McLeish (2005), Radio Production, pp.115127.
10 Drama review McLeish (2005), Radio Production, pp.242251. Crook 2130
11 Recording sound effects S. Alten (1986), Audio in Media, pp.417422.
12 Recording dramas S. Alten (1986), Audio in Media, pp.309315. Crook p. 30 37
13 Drama postproduction McLeish (2005), Radio Production, pp.252263. Ahiska p. 159 182
14 Present final projects and dossiers (radio drama) and critique (%30) McLeish (2005), Radio Production, pp.252263.
15 Review of the Semester  
16 Review of the Semester  
Course Notes/Textbooks Lecture and power point presentations
Suggested Readings/Materials

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
15
10
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
10
30
Presentation / Jury
Project
Seminar / Workshop
Oral Exam
Midterm
1
30
Final Exam
1
30
Total

Weighting of Semester Activities on the Final Grade
70
Weighting of End-of-Semester Activities on the Final Grade
30
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Course Hours
(Including exam week: 16 x total hours)
16
3
48
Laboratory / Application Hours
(Including exam week: 16 x total hours)
16
Study Hours Out of Class
15
1
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
10
1
Presentation / Jury
Project
Seminar / Workshop
Oral Exam
Midterms
1
15
Final Exams
1
32
    Total
120

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1 To be able to critically discuss and interpret the theories, concepts and ideas that form the basis of media and communication discipline. X
2 To have the fundamental knowledge and ability to use the technical equipment and software programs required by the mediaproduction process. X
3 To be able to use the acquired theoretical knowledge in practice. X
4 To be able to critically interpret theoretical debates concerning the relations between the forms, agents, and factors that play a role in the field of media and communication. X
5 To be able to critically discuss and draw on theories, concepts and ideas that form the basis of other disciplines complementing the field of media and communication studies.
6 To be informed about national, regional, and global issues and problems; to be able to generate problemsolving methods depending on the quality of evidence and research, and to acquire the ability to report those methods to the public.
7 To be able to gather, scrutinize and use with scientific methods the necessary data to for the processes of production and distribution.
8 To be able to use and develop the acquired knowledge and skills in a lifelong process towards personal and social goals. X
9 To be able to follow developments in new technologies of media and communication, as well as new methods of production, new media industries, and new theories; and to be able to communicate with international colleagues in a foreign language. (“European Language Portfolio Global Scale,” Level B1)
10 To be able to use a second foreign language at the intermediate level. X
11 To be able to use computer software required by the discipline and to possess advancedlevel computing and IT skills. (“European Computer Driving Licence”, Advanced Level) X

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 

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